"Most People Are Other People," inspired by Oscar Wilde’s reflections on identity as seen through others, critically examines the layers of self-identity within the complex socio-political landscape of contemporary China. This work navigates the personal journey of self-discovery, influenced by the intertwining of cultural norms and political forces. It explores how these elements shape individual identity within the broader community.
The work prominently features the use of red cloth, a powerful symbol in Chinese culture that embodies continuity and connection. This vibrant element acts as both a visual and narrative anchor in the collection, symbolizing the joy, passion, anger, and desire associated with red, while also representing the roles imposed by cultural and political narratives. The strategic placement of red cloth in self-portraits obscures features, symbolizing doubt and the concealment of identity, reflecting personal insecurities and the broader sensory deprivation experienced under restrictive governance—akin to being blind and deaf to one’s true self.
Red cloth also serves as a transformative agent within the art, morphing into modesty cloths, costumes, or shrouds that illustrate the varied roles individuals must navigate and the layers they must peel back to reclaim their identities. The adaptability of the red cloth symbolizes the fluidity of identity itself, suggesting the evolving nature of personal and collective identities.
This work delves into stories of personal transformation and reconciliation, emphasizing the transformative power of photography in revealing the essence and complexities of self-identity. The collection invites viewers to reflect on the intricate interplay between personal identity and collective forces, fostering a universal dialogue on the unity and complexity of identity across diverse cultural and social contexts.
